Fashion-wise, people were taking big risks, which I love to see. But how many of those risks paid off? Let's try to work out our feelings.
She's back! After a two-year hiatus from fashion sanity, Kerry Washington took a risk that successfully paid off. I loved her art deco-meets-chainmail-meets Studio 54 Marc Jacobs gown that was fun, playful and still event appropriate. The sparkly epaulets are perfectly accented by her faux bob and the hem length makes it look like she's ready to hit the dance floor at any moment. So happy to have you back, Fashionable Kerry.
I was in complete love with Zoe Kazan's zany Miu Miu dress. The optical illusion of the stripes played well on screen, and it has a fantastically old Hollywood feel while still seeming young and completely appropriate for her, her role in Hollywood as a young edgy ingenue and the event itself. The styling takes it to the next level: perfect messy bob, perfect red clutch and perfect red lip.
Emma Roberts channeled full ice queen Veronica Lake and it worked beautifully. This picture doesn't do the delicate gold fabric justice, but it was beautiful on the red carpet Glam Cam. Her custom Jenny Packham could have fallen flat if not for pitch-perfect accessories and her slightly relaxed Old Hollywood hair.
Laverne Cox's Calvin Klein gown is so perfectly cut and she just knows it; you can tell from her stance that she had a look she was going for and she's completely confident she landed it. This doesn't show her neon yellow heels, which were a fun pop on the red carpet. This peacock blue is gorgeous, too.
Sarah Paulson mastered edgy glamour with this navy and jet bead Prabal Gurung gown. Her slick bob and straight line diamond earrings give the look a distinctly downtown art gallery vibe. Also, there seems to be an off-the-shoulder trendlet, and I think she was the best of the bunch.
Christine Baranski may be tied as the most snubbed actress in the Supporting Actress Drama Series category, but she is always the perfectly tailored fashionista of my heart. I love any (ahem) mature actress who doesn't slip into stodgy patterns of boring colors and boring construction and loosey goosey matronly muumuu territory. This hot pink Zac Posen would be a delight on anyone, age be damned. It's extra delightful on her.
Oh, Megan Draper. How I'll miss your utterances in French and your seriously dramatic overbite. In all seriousness, Jessica Pare's Monse gown looks like something Audrey would have worn in Funny Face. Beautiful construction, lovely color and she's selling it like the pro that she is.
We had a little mini trendlet of chain-straps a la Versace in the 90s, and I'm handing the victory to Taraji P. Henson in this cool girl Alexander Wang gown. I wish she wasn't playing up the sheer skirt in this picture because it actually fell quite beautifully and didn't seem quite as trashy-adjacent as it seems here. Her cutout bodice is very similar to Amanda Peet's and I liked it. The hair is what got me, though; its perfect angles have her looking like a Bad Blood vixen and she clearly felt confident and beautiful.
I'm almost on the fence about whether I actually love Maggie Gyllenhaal's Oscar de la Renta, but that shade of lilac just won't be denied. I love the pairing of navy and lilac, and although I wish the bodice fit had been a bit better, I thought it was a pretty and elegant outing. I most especially loved the accents of gold jewelry rather than the traditional staid diamonds. Perfectly Maggie.
This Superhumanly Beautiful couple just won't be denied. Even when I'm not head over heels in love with their looks separately, I am all about it when they're together. Sofia's St. John gown was a lovely shade of fool's gold and Joe's got the barrel chest of a WWII Marine. Gotta love them.
I'm On the Fence
Singer Joanna Newsom's always been an odd bird, and so the rules are a bit different for her. The more I look at her Delpozo gown, the more I like it. It's somehow managed to marry conventional elegance with 1950s construction techniques and futuristic lines. My initial thought was that the sparkly oval in the center looks like a giant brooch or a platter, but I still kind of like it for its ballsiness. The dress is having the same effect on me as her music...initially jarring and then inexplicably beautiful.
My exact words to my husband last night about Claire Danes' Prada: "I like it! I like the edginess of the hardware and the color is nice. Although she does look like a really fancy shower curtain, and also it just emphasizes how very skinny she is and a grommet coming out of one's boob looks strange." Kudos for always being interesting, at least.
If you want to love Ellie Kemper's technicolor dreamdress by Naeem Khan, you could say it looks like a Georgia O'Keefe painting, with lovely gradations of color, a perfect fit, and just the right amount of sparkle. If you want to hate it, you could say she looks like a box of crayons or an ad for Skittles or a very fancy Aztec princess. I can't decide how I feel, truly. I think I....like it?
I'm pretty sure Jaime Alexander's Armani Prive gown was made for a villain on Dynasty, but does that mean I hate it? I want to hate it...the entire thing feels 80's costume, not 80's throwback and YET, it almost feels right. Especially for her role at this Emmy's, which is as the star of a heavily hyped show where she's mostly naked except for storytelling tattoos. She's got to grab attention, and this certainly does that.
I want to like Amy Poehler's sexy Michael Kors gown but the bottom hem on the bodice portion was not sitting flat and it looked weirdly sloppy on camera. I found myself very distracted by it, and I also feel like it's somehow making her look stumpy, although that might be the overboard accessorizing of black bangles. I LOVE her hair color, though, and she definitely looks hot.
My other favorite Amy was looking a little Real Housewives for my taste. Her deep blue-green Zac Posen gown was a perfectly safe first outing, and fit well and she seemed comfortable. It wasn't particularly noteworthy, however, and although I know she was going for a messy hairdo, it somehow slipped from artfully messy to looking like my hair after I mow the lawn. Heavy eye make-up always looks great on her, but combined with the rats' nest hair, it started to veer toward trashy.
Everything about this Petticoat Junction peach satin gown felt like a misstep. It was an out-of-character misstep for the daring and gorgeous Tracee Ellis Ross, and when I found out it was designed by Zac Posen, I was stunned because it doesn't look like his work. It reminded me of something one of those Southern belles on Hart of Dixie would wear for some kind of pageant with the words "Peach Blossom" in the title. It was just a weird choice for everyone involved.
Taylor Schilling always strikes me as trying too hard to be different. For some reason, it doesn't seem organic with her; it seems extremely forced. She tries to be daring, but I've never seen her stick the landing. I like this Stella McCartney yellow gown in theory, but it truly seems to be holding on by a thread, and I imagine it is what Scuttle would have designed for Ariel if he'd had access to a parachute instead of sailcloth. The way the hem was sort of bouncing up in the back as the front held precariously on for dear life to her boob made me think this dress isn't made for movement .... which is a hardcore fashion fail. Her makeup and hair are all wins, though!
I almost didn't want to include Alan Cumming because he dresses avant-garde on purpose and, like Joanna Newsom, has an entirely different set of style rules from everyone else. But c'mon, the tailoring on these pants is just strange. It's like he's a banker on top, the Penguin on the bottom. Also, he said in his Instagram that those are fancy Crocs. NOPE.
It must be extra hard to have the last name Chlumsky, so easily giving way to jokes about her chlumsky attempts at high fashion. Bless Anna Chlumsky because she looked so truly happy to be there, so truly happy for her castmates and not at all bad. This Bibhu Mohapatra gown just really misses the mark on all fronts. The spider web of daisies against a dingy cream isn't screaming elegance; it's screaming craft project. The braided crown seems like a misstep not only for the dress, but also just for her. I think a softer updo would have suited this gown more. This amazing My Girl reunion, however, is delightful.
Carice Van Houten basically kills people with her sex on Game of Thrones and vamps around in long black sexy robes and long red wigs and looks pretty glamorous all the time. So this ill-fitting bridesmaid's gown that was surely cast off to a secondhand store seems like a big departure. The bodice is sloppy, the hem is stumpifying, it's entirely too sweet and it commits a very big offense: it renders a dynamic actress nearly invisible on the red carpet, which means someone (publicist, stylist, agent, manager) isn't doing their job very well.
Almost all of the Orange is the New Black girls would benefit from a better stylist, but I was especially not picking up what Dascha Polanco was putting down. The color pairing of yellow and navy only serves to make me think of IKEA, the bodice fit is atrocious, her hair is falling flat and the shoes feel all wrong, too. Get her Sofia Vergara's stylist, stat. That person knows what to do with curvy va va voom Latinas.
I laughed out loud at the comic badness of Heidi Klum's schizophrenic Versace gown. Part Liberace, part Les Miserables, part Icecapades, this looks like an epic Project Runway fail and I love her for it.
January Jones ALSO stepped out in an emerald green pantsuit, hers reading a little more Charlie's Angels, but nonetheless still dated and surreal and decidedly not my favorite look. She can pull off much of what mere mortals cannot, however, so I almost nearly considered this a success.
It isn't every day you see someone wearing a Vivienne Westwood patchwork dress seemingly made from Urban Outfitters curtains, but Kathryn Hahn is here to show you the way. This has a distinctly '90s vibe, which is on trend, but it just looked too much like a Maria Von Trapp upholstery couture special for me to enjoy it.
Laura Prepon appears to be laughing maniacally about whatever spell she just cast to knock a princess on her back. She looks like a legit Disney villain in this Christian Siriano ensemble that just felt wrong for her and outdated.
I just can't imagine whatever fun house mirror or future frenemy convinced Padma Lakshmi that this Romona Keveza gown was fitting her well. It is at least one size, if not two sizes, too small. The hemline also looks a little messy, but this could have been a win with better tailoring.
And last but not least, I think it was really sweet that Retta allowed some young girls to decorate her gown with an aisle's worth of Barbie party supplies. I love her, though, and this does seem to capture some of her personality.
So what do you think? Let's duke it out!